Vocal Range:
S1:Bb3-Ab5, S2:Bb3-Ab5, A1:E3-D5; A2:E3-C#5,
T1:Bb2-Ab4, T2:Bb2-Ab4, BT:Gb2-D4, BS:F2-Eb4
VOCAL SCORE INCLUDED
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Title: Bach After Bebop based on Two-Part Invention No.4
Composer Notes & Lyrics:
Johann Sebastian Bach (1685-1750) was an organist, conductor, musical director, teacher, and composer. Bach’s musical genius inspired him to compose over 1,000 pieces in his lifetime. Bach After Bebop is based on one of Bach’s simpler compositions, Two-Part Invention No. 4.
Bach After Bebop Lyrics
Johann was a genius
with a polyphonic state of mind a
Master at the keyboard
with his artistic virtuosic lines
Expert improvisor
every note perfectly intertwined just
all his music was truly sublime
JS Bach artistry
JS Bach mastery
JS Bach history
Every line a melody
even in four-part harmony and
Writing with complexity
on ebony and ivory with
Harmonic transcendency
achieving a resplendency and
Forever in our history
JS Bach artistry
JS Bach mastery
JS Bach history
Charlie started something when
he heard that cymbal
crash on the floor he knew
that he would be back one day
Dizzy at a party saw
his trumpet bent up
new look new sound new brand
for him to bring his changes
Bebop was their passion jazz
was changed forever
fast swing key change im-prov
based on harmonic structure
Billie’s Bounce began the style
and dancing went into exile a
Small combo was all you need
and phrasing with asymmetry
Melodic complexity
improvisation was the key and
creative possibilities
Baroque Bach ternary
arias concerti
sonatas cantatas
organ works motets chorales chamber music
Counterpoint chromatics
melodic construction
surprising melisma
polyrhythms syncopation
Consider Toccata and Fugue or
Mass in B Minor or
Cello Suites The Art of Fugue then there’s Bebop
Consider Blues for Alice a Bird Blues with two-five-ones
Or Dizzy’s Groovin’ High with its complex melody or
Parker’s best was his song Confirmation cycling fifths and
I Got Rhythm was the essence
Born to distinct rhythms Bach is very even
Thee Bach Thee Bach Thee Bach
Melodic imitation
Rhythms swing-‘in Bebop bop swing eighth notes
Bebop Bebop Bebop Bebop
Imitation
Ingenious with improv vex true virtuoso
Thee Bach Thee Bach Thee Bach
Harmonic improvising
Improv was extended
Truly virtuosic
Bebop Bebop Bebop Bebop
Improvising
Complicated writing with
notes intertwining
Thee Bach Thee Bach Thee Bach
Including modulation
Writing compositions so intricate
Bebop Bebop Bebop Bebop
Modulation
Weaving notes together so they
make melodic harmony and
Shifting modulation bringing
acoustic vocabulary
Asymmetric phrasing syncopation
shifting beats in time
improvisation culmination
listeners in admiration
Johann B Charlie P Dizzy G Oscar P Dexter G Buddy D Clifford B James Moody
JS Bach artistry
JS Bach mastery
JS Bach history
Copyright © 2024 by Joseph Sandoval
Style: Swing
Grade: 4
Time Signature: 4/4
Key Signature: Dm
Tempo: 160
Time: 2.38
More Vocal
| Title | Description | Grade | Vocal Range |
|---|---|---|---|
| VOCALIST | |||
| Fernweh | Easy Ballad for Vocalist & Jazz Ensemble | 3 | A3-B4 |
| Saudade | Melancholy Ballad for Vocalist & Jazz Ensemble | 4 | F#4-Bb5 |
| SAB | |||
| Boketto | Melancholy Ballad for SAB & Rhythm Section | 3.5 | S:B3-F#5, A:A3-C5, B: D3-F#4 |
| Perambulate | Ballad for SAB & Rhythm Section | 4 | S:Cb4-G5, A:Fb3-Eb5, B: F2-G4 |
| SATB | |||
| Boketto [Primer] | Melancholy Ballad for SATB & Jazz Ensemble | 4 | S:A3-F#5, A:F3-C35, T:D3-A4, B:Bb2-F4 |
| Meraki | Unique 7/8 Latin-Jazz for SATB & Jazz Ensemble | 3.5 | S:C4-F5, A:A3-E5, T:Eb3-C5, B:C3-G4 |
| Missing You | Melancholy Ballad for SATB & Concert Band | 3.5 | S:C4-B5, A:F3-Eb5, T:F3-G4, B:F2-C4 |
| Missing You | Melancholy Ballad for SATB & Jazz Ensemble | 3.5 | S:C4-B5, A:A3-E5, T:Eb3-C5, B:C3-G4 |
| Wabi-Sabi | Driving Swing for SATB & Jazz Ensemble | 3.5 | S:C4-G5, A:A3-E5, T:C3-B4, B:C3-G4 |
| SSAATTBB | |||
| Bach After Bebop | Fast Swing for SSAATTBB & Rhythm Section | 4 | S1:Bb3-Ab5, S2:Bb3-Ab5, A1:E3-D5; A2:E3-C#5, T1:Bb2-Ab4, T2:Bb2-Ab4, BT:Gb2-D4, BS:F2-Eb4 |
| Boketto | Melancholy Ballad for SSAATTBB a cappella | 4 | S1:Bb3-F#5, S2:A3-F#5, A1:G3-C#5; A2:G3-C5, T1:F3-A4, T2:D3-A4, BT:Bb2-F4, BS:G2-D4 |
| Fernweh | Melancholy Ballad for SSAATTBB a cappella | 4 | S1:B3-A5, S2:C4-E5, A1:A3-D5; A2:G3-D5, T1:F3-B4, T2:D3-B4, BT:A2-E4, BS:G2-D4 |
| Ikigai | Latin-Jazz for SSAATTBB & Rhythm Section | 4 | S1C4-Ab5, S2:B3-G5, A1:Fb3-E5; A2:Fb3-E5, T1:Eb3-Bb4, T2:D3-Ab4, BT:Gb2-F4, BS:Fb2-Fb4 |
| Jijivisha [Primer] | Latin-Jazz for SSAATTBB & Rhythm Section | 4 | S1:Gb3-Bb5, S2:D4-G5, A1:Gb3-D5; A2:Gb3-C5, T1:E3-Ab4, T2:E3-G4, BT:F2-G4, BS:F2-F4 |
| Meraki | Unique 7/8 Latin-Jazz for SSAATTBB & Rhythm Section | 4 | S1:B3-F5, S2:B3-Eb5, A1:A3-D5; A2:A3-D5, T1:C4-Db5, T2:C4-Db5, BT:G2-Eb4, BS:G2-Eb4 |
| Missing You | Melancholy Ballad for SSAATTBB a cappella | 3.5 | S1:B3-Bb5, S2:B3-G5, A1:G#3-Eb5, A2:G#3-C5, T1:D#3-A4, T2:B2-B4, BT:G2-E4, BS:E2-C4 |
| Re Nao [Primer] | Swing for SSAATTBB & Rhythm Section | 4 | S1:B3-C5, S2:B3-G#5, A1:Bb3-Eb5; A2:Bb3-D5, T1:G3-Bb4, T2:C3-Bb4, BT:C3-Gb4, BS:Bb2-Gb4 |
| Saudade | Melancholy Ballad for SSAATTBB & Rhythm Section | 4 | S1:Bb3-Ab5, S2:E4-Gb5, A1:A3-D#5; A2:F3-D#5, T1:Bb2-Bb4, T2:Bb2-Bb4, BT:G2-G4, BS:G2-F#4 |
| Sehnsucht | Latin Ballad for SSAATTBB & Rhythm Section | 4 | S1:D4-G5, S2:D4-F5, A1:G3-E5; A2:G3-E5, T1:E3-Bb4, T2:F#3-Bb4, BT:G2-A4, BS:G2-G4 |
| Shchedryk [Primer] | 5/4 Swing for SSAATTBB & Rhythm Section celebrating the New Year – Public Domain arrangement | 3.5 | S1:B3-A5, S2:B3-D5, A1:A3-E5; A2:A3-D5, T1:C3-G4, T2:C3-F#4, BT:C3-Eb4, BS:F#2-D4 |
| Trouvaille [Primer] | Driving Swing for SSAATTBB & Rhythm Section | 4 | S1:B3-A5, S2:B3-F5, A1:G3-E5; A2:G3-D5, T1:C3-C5, T2:Bb2-C5, BT:A2-Bb4, BS:F2-G4 |
| Ukiyo | Jazz Fusion for SSAATTBB & Rhythm Section | 4 | S1:Cb4-G5, S2:Bb3-G5, A1:Gb3-Db5; A2:Gb3-E5, T1:A2-Bb5, T2:A2-Bb5, BT:F2-F4, BS:Eb2-F4 |
| Wabi-Sabi | Driving Swing for SSAATTBB & Rhythm Section | 4 | S1:C4-Bb5, S2:Bb3-G5, A1:Ab3-E5; A2:Ab3-E5, T1:C3-Bb4, T2:A2-G4, BT:A2-F#4, BS:E2-Eb4 |

